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Simply irresistible Hotel Josef is a luminous beauty ( 19. Mar 2008)
Magazine: Prague Post
Author: Jacy Meyer
Simply irresistible Hotel Josef is a luminous beauty
Simply irresistible
Hotel Josef is a luminous beauty
By
Jacy Meyer
For The Prague Post
March 19th, 2008 issue
Photos copyright 2002 Hotel Josef, www.hoteljosef. |
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Hotel Josef, designed by renowned Czech architect Eva Jiřičná, has a simple elegance without any frills or clutter.
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Hotel Josef
Rybná 20
Prague 1
Tel.: 221 700 111
Web: www.hoteljosef.com
Opened: June 2002
Owner: Haštalská a.s.
Guest rooms: 109
Conference rooms: Three
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How do you describe something that is, well, indescribable? Saying
the Hotel Josef is “light and airy” is completely true, but that does
not give an accurate picture of the atmosphere surrounding this design
hotel in Old Town. “The term ‘design’ is so
misused,” says Milena Findeis, who’s in charge of public relations for
the hotel. “There has to be a strategy; small things have to fit.”Like a well-executed puzzle, everything fits at the Hotel Josef. It
was designed by renowned Czech architect Eva Jiřičná, who is known for
melding light and glass into all her designs. The hotel is owned by the
same company, Haštalská, which owns the Hotel Maximilian around the
corner. Originally built in 2002, Jiřičná was in on Josef’s planning
from the very beginning.“Design here is more of an atmosphere and what you feel. It’s a kind of harmony,” Findeis says.This
so-called harmony helps carry you from one light-drenched area to the
next. The lobby is barely an indoor space — the front wall comprises
floor-to-ceiling windows, flooding the room with a constant natural
light. Directly to the left of the entry is a small bar, offering a
bit of color with its backdrop of bottles. White stools line the clear,
Plexiglas counter top. To the right is the seating area — filled with
cream-leather chairs and couches and small round glass tables with
stainless-steel legs. The color here is provided by framed display
boxes filled with butterflies. The reception
desk is at the back, but it’s nearly forgotten as your attention is
immediately drawn to the dominating feature of the room — the
magnificent glass and steel spiral staircase, which curves down to the
hotel’s conference rooms. Unexpected art installations like this add to
Josef’s stylish setting.The hotel’s two
buildings are connected by a glass passage with garden views. The short
walkway is playfully lined with colorful plastic club chairs. It ends
near the guest breakfast room — again another tribute to the
architect’s steadfast obsession with glass and light, which gives
patrons the delightful feeling they are dining outdoors. Everything throughout the hotel is rather basic. There are no frills or clutter. It’s just light and bright.“There
are so many impressions in Prague, interesting architecture. Your head
is full,” Findeis says. “Your eyes need a rest. The hotel cleans your
mind.”The hallways are painted white with
inset lighting. The room numbers are whimsical, large and set low
against the door. An inset spotlight illuminates them from below. The
rooms are no bigger than your typical four-star hotel room, but there’s
an indescribable feeling of largeness here. Is it the white walls
combined with a large window that makes them seem so big? Or the lack
of wall art? What about the use of natural colors — beige, orange, moss
and white? Or the Plexiglas desk and chair and glass closet? Perhaps,
though, it’s the glass bathroom that gives these rooms their edge. You
read that right. In 35 of the hotel’s 109 guest rooms, the bathroom is
mostly constructed out of glass, with glass walls and frosted glass
cabinets containing the toilet and shower for the more modest. Nothing
stands out, but the overall look is one of illumination and calm. The
owners specifically chose Jiricna to design their hotel, because, as
Findeis explains, they wanted a Czech architect to contribute to the
architecture seen around Prague today. Under Jiřičná’s watchful eye,
even the most minute detail was perfectly executed. She designed the
guest rooms’ desks and beds; the armchairs there are Baleri and the
tables and chairs in the breakfast room are Thonet. Findeis says that
is an essential part of a true design hotel — the small details.“It
takes such a long time when we have to choose anything — the flowers,
the coat hangers, the menu cards,” she says. “We have to find something
that is made from the same material as in the rest of the hotel.”So, from the lobby to the central courtyard to the glass bathrooms, everything seems to shine under the same radiant light.“I
think it’s simple but with quality. Simple as in pure,” Findeis says.
“I think it’s more visible than you can describe with words. It’s the
impressions of the rooms. It’s the idea of lightness, and you can see
it in every detail.”
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